Interviews

David Ebershoff: What the Classics Teach Writers And Editors Today

December 1, 2000 12:00 am By

The two most important things a writer needs to do to improve his or her craft are to write a lot, and read a lot. Reading the classics is an important step every writer needs to take as he or she refines their skills. It is important to know what precedes him or her as a writer, who has written what. Writers can learn the basics of style and plot and storyline from the classics, even writers whose style is not at all classical.

Wes DeMott: Turning Fact Into Fiction

March 15, 2000 12:00 am By

Wes DeMott, author of the successful political thrillers, VAPORS and WALKING K (both from Admiral House Publishing), answers some key questions about the components of a successful novel based on truth. DeMott, a former FBI Agent and Special Weapons and Tactics (SWAT) team member, writes from his own experiences, and enjoys helping fellow writers improve their craft.

Denise Roy, Editor at Simon & Schuster

June 1, 1999 7:23 pm By

My mother, a children's librarian, read to me in the womb, so my relationship with words and books dates back to before I was born. Frances the badger (BREAD AND JAM FOR FRANCES, A BIRTHDAY FOR FRANCES, etc., by Russell and Lillian Hoban) was my favorite.

Greer Kessel Hendricks, Editor Pocket Books, Washington Square Press, MTV Books

March 1, 1999 7:45 pm By

My first job after college was at Allure Magazine where I worked as an editorial assistant. I left there to attend the Columbia University Graduate School of Journalism. While at Columbia I took a book writing and publishing course which led me to the decision to pursue a career as a book editor. After graduating I worked at Scribner as an Assistant Editor and then I moved to Pocket Books.

Nancy S. Miller, Senior Editor Pocket Books, New York Director, Washington Square Press, New York Imprints of Simon & Schuster

January 1, 1999 7:49 pm By

There have to be common- sense reasons to acquire a manuscript--that it will find its market, that there are creative ways to reach that market--but I also feel I have to fall in love with it on a gut level, or there really won't be a way to make it work. I can say that I have that gut feeling about almost every manuscript I acquire.

Camille Cline Newly-appointed Editor Taylor Publishing Company

November 1, 1998 8:26 pm By

When I was in my second year at the University of Virginia, my father hinted that I should winnow my list of bearable professions. Publishing consistently found its way to the top of the list. After that, I threw myself into publishing internships and the Radcliffe Publishing Course with zeal.