An exclusive Authorlink Interview with Evan Williams
Place is essential to storytelling. This is a concept author Evan Williams is quick to embrace. ââYou canât outrun your raising,â is a phrase common to my childhood. While I canât speak to other areas of the United States, itâs impossible to grow up in the South without being keenly aware of it,â said Williams.
He brings a southern sensibility and a particularity of place to his novel âRipples,â published by Southern Fried Karma, an independent publisher based in Newnan, Georgia. The novel tells the story of Ben Bramley, a young man who struggles with the promises of faith and the weight of family secrets.
William is also the author âOne Apple at a Time,â a historical narrative about his grandfather and the life-lessons he taught Williams through work on the family apple orchard, which won the Willie Parker Peace Award for North Carolina historical book given by the North Carolina Society of Historians.
âOne Apple at a Timeâ reflects the shiny side of the coin of small, closely-knit community, âwhere positive peer pressure brings out the best in everyday folks and consecutive generations of families thrive given the security of stable, deep roots.â
ââRipplesâ is a product of the grimy side of the same coin,â said Williams. âNot a single positive element is gained without the expense of privacy, personal freedom of expression, and to wander too far from the status quo is certain invitation for trouble.â
Like most of his work, the novel began as concept. âIâm fascinated by human behavior, particularly misbehavior. The illogical paradigms in which people persist is an unlimited source of storyline potential for me,â said Williams.
âEmploying that concept of over-familiarity with what I knew to be true of the relationships within a family apple-growing business, and the broader characteristics of farm families, I had the basis for my novel. Throw in the penchant for small-town gossip, not-so-private secrets, and the phenomenon of wholesale denial regarding the darkest behaviors in a sanctimonious community, and the plot scenes are innumerable.â Said Williams.
“…that question set in motion what became a novel-length answer.â
The novel grew out of a story that was workshopped while Willams attended the low residency MFA program at Queens University-Charlotte. âGiven a rather open ending to the storyâa boy, accompanied by his beloved grandmother, setting off for home to face his motherâs wrath while also being asked to lie for the grandmotherâled my groupmates to ask, âWhat happened when the two got home?â Not having considered the broad consequences of that question set in motion what became a novel-length answer.â
Williams keeps an ongoing file of story ideas, dilemmas, even character names. âShould I live to be 100, the ideas will never all reach print.â
The book was also influenced by several southern writers. âRuin Creek,â by David Payne tops the list, chronicling the relationship between a grandson and grandfather, set in the context of a thriving family business. I find David Payneâs writing to be cerebral, investigative of the human condition and our motivators. His studious observations are compelling, with a depth of understanding seldom found elsewhere,â said Williams.
Payne served as Williamsâ thesis advisor at Queens University-Charlotte. âAnother influence would be, âGap Creek,â by Robert Morgan, native if my hometown. His treatment of struggle set in the mountains I adore was a game-changer for me. And Barbara Kingsolverâs, âThe Poisonwood Bibleâ is my archetypal novel for religious zealotry run amuck.â
The book took just under five years to complete. For the two years of his MFA, Williams incorporated excerpts into his monthly submission requirements. His complete manuscript became his masterâs thesis, submitted as a graduation requirement. Two and a half years later, following a major rewrite and several revisions, the book was published.
He sent the book to Southern Fried Karma because of their âemphasis on a new generation of Southern writers addressing gritty issues relevant to the New South.â
The bookâs title came easily and resonated with images in the book related to fishing and the Unolama River. âBen Bramleyâs secret fishing trip with his Granny became the first incident to break the waterâs surface, literally. And like a stone cast in a body of water, that action precipitates reaction in the form of ever-expanding ripples,â explained Williams. âBoyhood Ben latched onto the principle, condemning himself for the tragedies that came about following his misbehavior, blaming himself for the ripple effect that included more and more family and community in the growing circles of pain.â
“Often I feared that information overload might cause my mental structure of the story to collapse.”
Williams said, âaside from swallowing the giant pill of a 90,000-word endeavorâ the greatest challenge came from keeping a running narrative with details like eye color and the make of characterâs cars, chronology and revealed information, in his head. âAt one point I drew a sketch of the small town to keep my story straight, as it were. Often I feared that information overload might cause my mental structure of the story to collapse. Other times I had to postpone the introduction of new material until I had older work put to bed.âÂ
âMany of the most successful authors dealt with multiple rejections.”
Williams advises new writers that persistence is key to success. âMany of the most successful authors dealt with multiple rejections. Thatâs the nature of writing and its subjectivity. Now itâs often an economic game more than a matter of creative talent,â said Williams. âStill, the right home awaits those who want it badly enough to see their story in bookstores around the country. The downtime during the search is a gift for honing their craft. Write. Write. Write.â
For now, he is hard at work on his next novel, which will also be set in the south. The storyline involves the arrival of a prophet to a small town and the handful of locals brash enough to defy public opinion by attending his weekly forest gatherings.
Evan Williams earned an M.F.A in Creative Writing from Queens University-Charlotte. His first book, a memoir entitled One Apple at a Time, received the Willie Parker Peace Award for state history, given by the North Carolina Historical society. His short stories appear in anthologies, including, Hemingway Shorts: A collection of new and engaged writing from new and engaged writers in the best tradition of Ernest Hemingway, also, The Cricket and Other Stories: Finalists from the Second Annual Grateful Steps Short Stories Contest. His book reviews appear in The Main Street Rag. Ripples is his first novel.