Written

Denise Roy, Editor at Simon & Schuster

June 1, 1999 7:23 pm By

My mother, a children's librarian, read to me in the womb, so my relationship with words and books dates back to before I was born. Frances the badger (BREAD AND JAM FOR FRANCES, A BIRTHDAY FOR FRANCES, etc., by Russell and Lillian Hoban) was my favorite.

Greer Kessel Hendricks, Editor Pocket Books, Washington Square Press, MTV Books

March 1, 1999 7:45 pm By

My first job after college was at Allure Magazine where I worked as an editorial assistant. I left there to attend the Columbia University Graduate School of Journalism. While at Columbia I took a book writing and publishing course which led me to the decision to pursue a career as a book editor. After graduating I worked at Scribner as an Assistant Editor and then I moved to Pocket Books.

Nancy S. Miller, Senior Editor Pocket Books, New York Director, Washington Square Press, New York Imprints of Simon & Schuster

January 1, 1999 7:49 pm By

There have to be common- sense reasons to acquire a manuscript--that it will find its market, that there are creative ways to reach that market--but I also feel I have to fall in love with it on a gut level, or there really won't be a way to make it work. I can say that I have that gut feeling about almost every manuscript I acquire.

Camille Cline Newly-appointed Editor Taylor Publishing Company

November 1, 1998 8:26 pm By

When I was in my second year at the University of Virginia, my father hinted that I should winnow my list of bearable professions. Publishing consistently found its way to the top of the list. After that, I threw myself into publishing internships and the Radcliffe Publishing Course with zeal.

Don D’Auria, Editor Dorchester Publishing Co., Inc.

October 1, 1998 8:26 pm By

My first actual job in publishing was as a sales rep for Farrar, Straus and Giroux, a small literary publisher, in those days still independently owned. They had a wonderful list and I believe they still have more Nobel laureates than any other house, but it was frustrating for me, because I wanted to be in editorial, not sales. So after a few years, I made the jump over to editorial at Cloverdale Press, where I really learned to edit in a lot of different genres. in a sense, that was my start as an editor.

Looking Down The Creative Rabbit Hole – Emily Hanlon

June 1, 1997 12:00 am By

Unearthing the deep-rooted creativity and passion that inspires fictional characters requires an author to expect the unexpected. That's one pearl of wisdom author Emily Hanlon shared with writers recently at a workshop focusing on unleashing and developing characters from the imagination.